Grimace du réel is a programme which assembles plays, film projections, debates. In what way for you does this project integrate itself with the Dancing Museum?
The first thing is the possibility offered by the Museum to create a time apart: a time that can allow to bring to light the archeology of a work, to unfold its stakes, to bring back the sources: sources of inspiration, of reflexion. Within a “normal” type of showing there isn’t necessarily the opportunity to do so – even if a certain number of people who present my work usually do it with a lot of subtlety. The Dancing Museum allows to show the conditions of emergence of the works; to see what actualizes and historicizes itself...